Permanent Objects

A collection of miscellany

Translation Portfolio

Poetry

  • Ahn Hee-yeon’s “A Great Life,” “The Beginning of a Wave,” and “Walking in a Carrot Field” for the 5th Annual Asian Literature Festival (2024)
  • Kim Eunji’s “Bats and Bumps and Weather,” “Can’t It Snow a Little,” and “Everyday, Finally” for the 5th Annual Asian Literature Festival (2024)
  • Kim Hyun’s “Pieta,” “White Deer,” and “Why is Becoming Human So Quiet?” for the 5th Annual Asian Literature Festival (2024)
  • Lee Soyoun’s “Jungnangcheon Stream, To Death” and “Threw Away, Set On Fire” for the 5th Annual Asian Literature Festival (2024)
  • Ra Heeduk”s “Days,” “Rhythm 0,” “Ruined Classroom,” and “To the Starving Artist” in New England Review (2024)
  • Ahn Oh-il’s “The Truth of May, the Light of Ages” for the 4th Annual Asian Literature Festival (2022)
  • Son Taek-su’s “Unguarded,” “The Words ‘As You Are’,” “Odalman,” “The Rhetoric of Trees I,” and “Moseulpo” for the 4th Annual Asian Literature Festival (2022)
  • Mun Jeonghui’s “A Love Poem for Hangyeryeong” for the 4th Annual Asian Literature Festival (2022)
  • Koh Young-seo’s “The End of That Long Drought,” “Woman Playing Guitar,” “Morin Khuur,” “The Question of Neunggasa Temple,” and “That One Rock”for the 4th Annual Asian Literature Festival (2022)
  • Jang Yi-ji’s “Downpour,” “Long Love Letter,” “Sudden Change,” “Hanshan,” and “The Ark” for the 4th Annual Asian Literature Festival (2022)
  • Kim Vladimir’s “On the Train of Memory” for the 4th Annual Asian Literature Festival (2022)
  • Kim Sijong’s “Words with Closed Mouths,” “April, Oh Distant Days,” “If Anything,” “My Gender, My Life,” and “Southern Island” for the 4th Annual Asian Literature Festival (2022)
  • Kim Suwu’s “Rootist,” “Spinal Disc,” “Layers,” “Rubber Toes,” and “Slope” for the 4th Annual Asian Literature Festival (2022)
  • Hwang Geum-nyeo’s “I Am Here” in Chogwa (2022)
  • Ra Hee-duk’s “Codename Poetry,” “Paper Prison,” and “Evening’s Q&A” in Asymptote Blog (2021)
  • Park Seo-won’s “Wishes” in Chogwa (2020)
  • Jin Eun-young’s “Snail” in Chogwa (2019)
  • Lee Jenny’s “The Darkness and the Clouds,” “The Heart of an Ant,” “A Small and Black Box,” and “Panorama, Limitlessly” in Puerto del Sol (2019)

SHORT FICTION

  • Jung Ryu-jin’s “Training Wheels” (excerpt) for the 5th Annual Asian Literature Festival (2024)
  • Lee Seo-su’s “Young Geunhee’s March” (excerpt)  for the 5th Annual Asian Literature Festival (2024)
  • Ye So-yeon’s “The Cat and the Desert Sisters” (excerpt) for the 5th Annual Asian Literature Festival (2024)
  • Park Wan-suh’s “That Woman’s House,” in Azalea 16 (2023)
  • Im Guk-yeong’s “Across the Tooniverse,” in Azalea 15 (2022)

NONFICTION

  • Kim Sijong’s “Poetry Exists, Even Unwritten” for the 4th Annual Asian Literature Festival (2022)
  • Kim Namguk’s BTS Insight (Bimilsincer) (2021)
  • Cha Minju’s Philosophizing About BTS (Bimilsincer) (2020)